Current Classes

Folio 1

6 weeks

Explore a practical approach to performing Shakespeare the Foolish Way in this immersive 6-week course designed for actors.

Throughout the class, you’ll engage with the Bard’s lush language, learning to analyze the text in order to bring it to life with authenticity and precision. Through a technical exploration of Shakespeare’s literary devices, you’ll develop a deeper connection to your character, one thought at a time.

You’ll work collaboratively to refine your understanding of the heightened text, applying the techniques to an assigned monologue. The final session will be dedicated to recording your performance, providing a valuable opportunity to put your skills into practice and leave you with a monologue to submit for future auditions.

This workshop is designed for actors looking to strengthen their command of Shakespeare’s text, but the tools gained here extend beyond the stage. Whether working on period pieces, heightened procedurals, or classical works, this foundation will equip you with the skills to confidently approach complex texts.

Tuesdays March 4-April 8 from 7pm-10pm

Where:

• Zoom

Cost:

• $50

• Payment plans are available

Required Texts (not provided):

• Shakespeare on Toast by Ben Crystal 

• Arden Third Series of the play your assigned monologue is from

Course Outline: 

• Week 1: Shakespeare and Scansion

• Week 2: Scansion and Breath

• Week 3: Punctuation and Breath

• Week 4: What are you saying? 

• Week 5: Shaping your argument

• Week 6: Shakespeare in Performance

Please email any questions to info@foolishproductionco.org SUBJECT: Folio 1

Classical Scene Study

5 weeks

The goal of classical scene study is to expand upon Folio I, applying learned techniques to scenes with a partner. Participants will bring to life a variety of classical texts that challenge them with higher stakes, shared lines, and the most important technique- listening. Classical text demands an elevated command of language and intention that we believe lays a more solid foundation for the contemporary work we face today.

Participants are expected to do their work on their own and come fully prepared. We do not expect partners to rehearse as a unit outside of class in order to avoid overly planned scenes that can often hinder genuine listening and the gift of discoveries that can come from it.